FREE BOOKS

Author's List




PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  
lone, to be quiet, to stare her situation in the face, and collect herself before she came out again among her kind. She had stood on the door-step, cowering among her bags, counting the instants till a step sounded and the door-knob turned, letting her in from the searching glare of the outer world.... And now she had sat for an hour in Violet's drawing-room, in the very house where her honey-moon might have been spent; and no one had asked her where she had come from, or why she was alone, or what was the key to the tragedy written on her shrinking face.... That was the way of the world they lived in. Nobody questioned, nobody wondered any more-because nobody had time to remember. The old risk of prying curiosity, of malicious gossip, was virtually over: one was left with one's drama, one's disaster, on one's hands, because there was nobody to stop and notice the little shrouded object one was carrying. As Susy watched the two people before her, each so frankly unaffected by her presence, Violet Melrose so engrossed in her feverish pursuit of notoriety, Fulmer so plunged in the golden sea of his success, she felt like a ghost making inaudible and imperceptible appeals to the grosser senses of the living. "If I wanted to be alone," she thought, "I'm alone enough, in all conscience." There was a deathly chill in such security. She turned to Fulmer. "And Grace?" He beamed back without sign of embarrassment. "Oh, she's here, naturally--we're in Paris, kids and all. In a pension, where we can polish up the lingo. But I hardly ever lay eyes on her, because she's as deep in music as I am in paint; it was as big a chance for her as for me, you see, and she's making the most of it, fiddling and listening to the fiddlers. Well, it's a considerable change from New Hampshire." He looked at her dreamily, as if making an intense effort to detach himself from his dream, and situate her in the fading past. "Remember the bungalow? And Nick--ah, how's Nick?" he brought out triumphantly. "Oh, yes--darling Nick?" Mrs. Melrose chimed in; and Susy, her head erect, her cheeks aflame, declared with resonance: "Most awfully well--splendidly!" "He's not here, though?" from Fulmer. "No. He's off travelling--cruising." Mrs. Melrose's attention was faintly roused. "With anybody interesting?" "No; you wouldn't know them. People we met...." She did not have to continue, for her hostess's gaze had again strayed. "And you've co
PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  



Top keywords:

Melrose

 
making
 
Fulmer
 

Violet

 
turned
 
chance
 
considerable
 

beamed

 

change

 

fiddlers


fiddling
 
listening
 

polish

 
pension
 
naturally
 

Hampshire

 
embarrassment
 

security

 

brought

 

faintly


attention

 

roused

 

cruising

 

travelling

 

splendidly

 

interesting

 

wouldn

 
hostess
 
strayed
 

continue


People

 

resonance

 
situate
 

fading

 

Remember

 

detach

 

dreamily

 

intense

 

effort

 
bungalow

cheeks

 

aflame

 

declared

 

chimed

 
darling
 

triumphantly

 

looked

 

tragedy

 

written

 

shrinking