, Aart van der Neer
(1619-83), Pieter de Koningh (1619-89), Philip Wouvermans (1620-68),
Pieter van der Hoogh (?), Nicolas Berchem (1624-83), Paul Potter
(1625-54), Jacob Ruysdael (1625-81), Meindert Hobbema (?), Jan Steen
(1626-79), Samuel van Hoogstraeten (1627-78), Ludolf Backhuizen
(1631-1709), Jan van der Meer of Delft (1632-?), Nicholas Maes
(1632-93), William van der Velde (1633-1707), Frans van Mieris
(1635-81), Caspar Netscher (1639-84), Adrian van der Velde (1639-72).

It is strange that little is known of the lives of the great majority of
these men; they are scarcely more than names, but their memory survives
in their works. No better proof could be brought of the general
abundance of money and at the same time of the widespread culture of the
land than the fact that art found among all classes so many patrons. The
aristocratic burgher-magistrates and the rich merchants loved to adorn
their houses with portraits and a choice selection of pictures; it was a
favourite investment of capital, and there was a certain amount of
rivalry among the principal families in a town like Amsterdam in being
possessed of a fine collection. The "Six" collection still remains as an
example upon the walls of the 17th century house of Burgomaster Six,
where it was originally placed. The governing bodies of gilds and
boards, members of corporations, the officers of the town _schutterij_
or of archer companies delighted to have their portraits hung around
their council chambers or halls of assembly. In the well-to-do
farmer-homesteads and even in the dwellings of the poorer classes
pictures were to be found, as one may see in a large number of the
"interiors" which were the favourite subject of the _genre_ painters of
the day. But with all this demand the artists themselves do not seem to
have in any case been highly paid. The prices were low. Even Rembrandt
himself, whose gains were probably much larger than those of any of
his contemporaries, and whose first wife, Saskia Uilenburg, was a woman
of means, became bankrupt in 1656, and this at a time when he was still
in his prime, and his powers at their height. Some of his most famous
pictures were produced at a later date.

During the Thirty Years' War Holland became the centre of the publishing
and book-selling trade; and Leyden and Amsterdam were famed as the
foremost seats of printing in Europe. The devastation of Germany and
the freedom of the press in the United Provinces c