FREE BOOKS

Author's List




PREV.   NEXT  
|<   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255  
256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   >>   >|  
in our Hotel, we determined to remain here at fifteen francs per day. We are in the midst of what can be seen, and we are very comfortably fed and lodged. This morning wet and surly. Sallied, however, by the assistance of a hired coach, and left cards for Count Pozzo di Borgo, Lord Granville, our ambassador, and M. Gallois, author of the _History of Venice_.[382] Found no one at home, not even the old pirate Galignani,[383] at whose den I ventured to call. Showed my companion the Louvre (which was closed, unluckily), the front of the palace with its courts, and all that splendid quarter which the fame of Paris rests upon in security. We can never do the like in Britain. Royal magnificence can only be displayed by despotic power. In England, were the most splendid street or public building to be erected, the matter must be discussed in Parliament, or perhaps some sturdy cobbler holds out, and refuses to part with his stall, and the whole plan is disconcerted. Long may such impediments exist! But then we should conform to circumstances, and assume in our public works a certain sober simplicity of character, which should point out that they were dictated by utility rather than show. The affectation of an expensive style only places us at a disadvantageous contrast with other nations, and our substitute of brick and plaster for freestone resembles the mean ambition which displays Bristol stones in default of diamonds. We went to theatre in the evening--Comedie Francaise the place, _Rosemunde_ the piece. It is the composition of a young man with a promising name--Emile de Bonnechose; the story that of Fair Rosamond. There were some good situations, and the actors in the French taste seemed to me admirable, particularly Mademoiselle Bourgoin. It would be absurd to attempt to criticise what I only half understood; but the piece was well received, and produced a very strong effect. Two or three ladies were carried out in hysterics; one next to our box was frightfully ill. A Monsieur _a belles moustaches_--the husband, I trust, though it is likely they were _en partie fine_--was extremely and affectionately assiduous. She was well worthy of the trouble, being very pretty indeed; the face beautiful, even amidst the involuntary convulsions. The afterpiece was _Femme Juge et Partie_, with which I was less amused than I had expected, because I found I understood the language less than I did ten or eleven years since. Well, well,
PREV.   NEXT  
|<   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255  
256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   >>   >|  



Top keywords:

public

 

understood

 

splendid

 

Mademoiselle

 

Bonnechose

 

situations

 

actors

 

French

 
Rosamond
 
admirable

theatre

 

substitute

 
plaster
 

freestone

 

resembles

 

nations

 

expensive

 
places
 

contrast

 
disadvantageous

ambition

 
displays
 

Francaise

 

Rosemunde

 

composition

 

Comedie

 

evening

 

stones

 

Bristol

 

default


diamonds
 

Bourgoin

 
promising
 

effect

 

beautiful

 

amidst

 

involuntary

 

afterpiece

 

convulsions

 

pretty


assiduous

 

affectionately

 

worthy

 

trouble

 

eleven

 

language

 
Partie
 

amused

 

expected

 

extremely