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obert, ii. 20. R. Sym, i. 50. Harriet, _Memoirs_, remarks on, i. 41-42. Wilton nuns, "go spin you jades," i. 110, 157, 372. Winchelsea, Lord, and Wellington, ii. 258 _n._ Windsor Castle, i. 279. Wisharts', _Montrose_, ii. 110 _n._ "Wishing-cap," power of, i. 66. Witchcraft, Joanna Baillie, ii. 10. Withers, Pope's epitaph, i. 125. W., ii. 187. Wolcot, Dr., i. 341. Wood, Sir Alexander, ii. 136. John Philip, ii. 341 and _n._ _Woodstock_, in progress, i. 10, 68, 74, 100, 114; 2d vol. ended, 117, 123, 127, 131, 146, 158; finished, 162, 165; Longman buys, 182; copyright, 202; price of, 407 _n._; annotated, ii. 359. Wooler, ii. 42, 49, 50. Worcester, i. 313. Worcester, Marquis of, ii. 169. Wordsworth, William, i. 268, 333; anecdote of, 334; lines on Hogg, ii. 34 _n._; 179, 181, 184, 189, 190; at Abbotsford, 411, 413 and _n._, 414 and _n._ Miss, ii. 413, 414 and _n._ Bishop, ii. 413 and _n._ Wrangham, Archdeacon, ii. 186. Wright, Sir John, ii. 25. Rev. Thomas, of Borthwick, ii. 92 and _n._ W., Lincoln's Inn, i. 26, 308 and _n._, 311. Wyatville, Mr., i. 279. Wynn, Charles, ii. 184. Yarrow, excursion in August 1826, i. 242; in December 1827, ii. 95; in May 1829, 279; in July 1829, 320; in September 1831, 413. Yates, Dr., i. 280; ii. 185. Yelin, Chevalier, i. 90, 94. Yermoloff, General, ii. 17-18. Yester, pictures at, ii. 80. York, Duke of, i. 302, 308, 310; death, 337; funeral, 343. York, Cardinal Duke of, ii. 313. Young, Alexander, of Harburn, i. 148 and _n._ Charles Mayne as "Pierre," ii. 120, 122 and _n._ Dr., and Miss, Hawick, ii. 160, 347, 355. Zetland, ii. 291. End of Project Gutenberg's The Journal of Sir Walter Scott, by Walter Scott *** END OF THIS PROJECT GUTENBERG EBOOK THE JOURNAL OF SIR WALTER SCOTT *** ***** This file should be named 14860.txt or 14860.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/4/8/6/14860/ Produced by Riikka Talonpoika, Susan Skinner and the PG Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyr
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