FREE BOOKS

Author's List




PREV.   NEXT  
|<   464   465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488  
489   490   491   492   493   494   495   496   497   498   499   500   501   502   503   504   505   506   507   508   509   510   511   512   513   >>   >|  
intings, which seems valuable, and to which he had made many valuable additions. He told me the park from which Shakspeare stole the buck was not that which surrounds Charlcote, but belonged to a mansion at some distance where Sir Thomas Lucy resided at the time of the trespass. The tradition went that they hid the buck in a barn, part of which was standing a few years ago, but now totally decayed. This park no longer belongs to the Lucys. The house bears no marks of decay, but seems the abode of ease and opulence. There were some fine old books, and I was told of many more which were not in order. How odd if a folio Shakspeare should be found amongst them! Our early breakfast did not prevent my taking advantage of an excellent repast offered by the kindness of Mr. and Mrs. Lucy, the last a lively Welshwoman. This visit gave me great pleasure; it really brought Justice Shallow freshly before my eyes; the luces in his arms "which do become an old coat well"[162] were not more plainly portrayed in his own armorials in the hall-window than was his person in my mind's eye. There is a picture shown as that of the old Sir Thomas, but Mr. Lucy conjectures it represents his son. There were three descents of the same name of Thomas. The party hath "the eye severe, and beard of formal cut," which fills up with judicial austerity the otherwise social physiognomy of the worshipful presence, with his "fair round belly with fat capon lined."[163] We resumed our journey. I may mention among the pictures at Charlcote one called a Roman Knight, which seemed to me very fine; Teniers' marriage, in which, contrary to the painter's wont, only persons of distinction are represented, but much in the attitude in which he delights to present his boors; two hawking pieces by Wouvermans, very fine specimens, _cum aliis_. We took our way by Edgehill, and looked over the splendid richness of the fine prospect from a sort of gazeeboo or modern antique tower, the place of a Mr. Miller. It is not easy to conceive a richer and more peaceful scene than that which stretched before us, and [one with which] strife, or the memory of strife, seems to have nothing to do. "But man records his own disgrace, And Edgehill lives in history." We got on to Buckingham, an ugly though I suppose an ancient town. Thence to Aylesbury through the wealth of England, in the scene of the old ballad-- "Neither drunk nor sober, but neighbour to both,
PREV.   NEXT  
|<   464   465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488  
489   490   491   492   493   494   495   496   497   498   499   500   501   502   503   504   505   506   507   508   509   510   511   512   513   >>   >|  



Top keywords:

Thomas

 

Edgehill

 
strife
 

Charlcote

 

valuable

 
Shakspeare
 

represented

 

resumed

 
distinction
 

physiognomy


social

 

persons

 

attitude

 

hawking

 
pieces
 

austerity

 

delights

 

present

 

painter

 

Teniers


Knight

 

called

 

marriage

 

pictures

 

mention

 

contrary

 

journey

 

presence

 

worshipful

 
Miller

Buckingham

 

suppose

 

history

 
records
 
disgrace
 
ancient
 

neighbour

 

Neither

 
ballad
 

Aylesbury


Thence

 
wealth
 
England
 
richness
 

splendid

 

prospect

 
gazeeboo
 

looked

 

specimens

 

modern