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judgment; the open "o's," fluency of speech; and the simply formed capitals, the modest, unpretentious nature.] [Illustration: The writing of one of the most famous characters in American politics. His writing indicates firmness, love of notoriety and also a semblance of weakness.] [Illustration: The signature of Emil G. Hirsch, Rabbi of Sinai Congregation, Chicago, one of America's best-known and most-respected Jewish citizens.] [Illustration: "Oom Paul" Kruger, formerly president of the Transvaal Republic. This is the signature of a man that believed the world was flat. He was "sot" in his ways--stubborn, obstinate, unmovable. His rugged character was never brought within the restraints of conventionality, and neither, apparently, was his handwriting.] [Illustration: One of America's best-known educators.] [Illustration: Arthur N. McGeoch, Milwaukee, Wis., a well-known attorney.] [Illustration: Geo. E. Allen, Educational Director, American Institute of Banking.] [Illustration: Characteristic writing of business men in the early days of our country. These autographs appear on the original agreement which formed the first stock exchange in New York City, in 1792. Whirls, flourishes, and other peculiarities are remarkably plenty in the above, which is an indication of correct writing in those days.] [Illustration: One of the few legible signatures to the Declaration of Independence.] [Illustration: P.M. Hanney, a leading Chicago business man, and a director in the great firm of Siegel Cooper & Company.] [Illustration: General counsel for the American Bankers' Association, and authority on American banking law.] [Illustration: Retired Major General of the United States Army.] AUTOGRAPH SIGNATURES OF THE PRESIDENTS OF THE UNITED STATES [Illustrations] ***END OF THE PROJECT GUTENBERG EBOOK DISPUTED HANDWRITING*** ******* This file should be named 14003.txt or 14003.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/4/0/0/14003 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use
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