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in time of life--addicted to silks and blondes, and well aware of their relative prices. Madame Craufurd is very amusing. With all the _naivete_ of a child, she possesses a quick perception of character and a freshness of feeling rarely found in a person of her advanced age, and her observations are full of originality. The tone of society at Paris is very agreeable. Literature, the fine arts, and the general occurrences of the day, furnish the topics for conversation, from which ill-natured remarks are exploded. A ceremoniousness of manner, reminding one of _la Vieille Cour_, and probably rendered _a la mode_ by the restoration of the Bourbons, prevails; as well as a strict observance of deferential respect from the men towards the women, while these last seem to assume that superiority accorded to them in manner, if not entertained in fact, by the sterner sex. The attention paid by young men to old women in Parisian society is very edifying, and any breach of it would be esteemed nothing short of a crime. This attention is net evinced by any flattery, except the most delicate--a profound silence when these belles of other days recount anecdotes of their own times, or comment on the occurrences of ours, or by an alacrity to perform the little services of picking up a fallen _mouchoir de poche, bouquet_, or fan, placing a shawl, or handing to a carriage. If flirtations exist at Paris, they certainly are not exhibited in public; and those between whom they are supposed to be established observe a ceremonious decorum towards each other, well calculated to throw discredit on the supposition. This appearance of reserve may be termed hypocrisy; nevertheless, even the semblance of propriety is advantageous to the interests of society; and the entire freedom from those marked attentions, engrossing conversations, and from that familiarity of manner often permitted in England, without even a thought of evil on the part of the women who permit these indiscretions, leaves to Parisian circles an air of greater dignity and decorum, although I am not disposed to admit that the persons who compose them really possess more dignity or decorum than my compatriots. Count Charles de Mornay was presented to me to-day. Having heard of him only as-- "The glass of fashion and the mould of form, The observed of all observers," I was agreeably surprised to find him one of the most witty, well-informed, and agreeable
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