your eyes and remain passive a few moments. Have him
concentrate his mind intently on the selected object--and will that you
should move toward it. Have him think of nothing else except that object,
and to will you to move toward it, with all his power. Close your eyes,
and quiet your mind, opening your consciousness to every mental impression
that he may send you. Instruct him to think not merely "chair," for
instance, but rather "there--go there." The main thought in his mind must
be that of direction. He must will that you move toward that chair.

After a moment or two, you will begin to feel a vague, general impulse to
move your feet. Obey the impulse. Take a few slow steps in any direction
that seems easy to you. Sometimes this will take you in an opposite
direction from that of the chair, but it will "get you going," and you
will soon begin to feel that the direction is "all wrong," and will begin
to be mentally pulled in the right direction. You will have to actually
experience this feeling, before you will fully understand just what I
mean.

After some little practice, you will begin to feel quite distinctly the
mental direction, or will-force, of the projector, which will seem to tell
you to "come this way--now stop--now turn a little to the right--now a
little to the left--now stop where you are, and put out your right
hand--lower your hand--move your hand a little to the right--that's it,
now you have got it all right." You will soon learn to distinguish between
the "no, that's wrong" thought, and the "that's right" one; and between
the "go on," and the "come on" one. By making yourself completely passive,
and receptive and obedient to the thought and will-impulses of the
projector, you will soon act like a ship under the influence of the rudder
in the hand of the projector.

After you have attained proficiency in receiving the mental impressions
and directions, you will find yourself attracted or drawn, like a piece of
steel to the magnet, toward the object selected. It will sometimes seem as
if you were being moved to it even against your own will--and as if
someone else were actually moving your feet for you. Sometimes the impulse
will come so strong that you will actually rush ahead of the projector,
dragging him along with you, instead of having him a little in advance, or
by your side. It is all a matter of practice.

You will soon discover the great difference between different projectors.
Some of t