tering Dalila affords a just and striking
description of the stratagems and allurements of feminine hypocrisy:

--These are thy wonted arts,
And arts of every woman false like thee,
To break all faith, all vows, deceive, betray,
Then as repentant to submit, beseech,
And reconcilement move with feign'd remorse,
Confess and promise wonders in her change;
Not truly penitent, but chief to try
Her husband, how far urg'd his patience bears,
His virtue or weakness which way to assail:
Then with more cautious and instructed skill
Again transgresses, and again submits.

When Samson has refused to make himself a spectacle at the feast of
Dagon, he first justifies his behaviour to the chorus, who charge him
with having served the Philistines, by a very just distinction: and then
destroys the common excuse of cowardice and servility, which always
confound temptation with compulsion:

_Chor_. Yet with thy strength thou serv'st the Philistines.

_Sams_. Not in their idol worship, but by labour
Honest and lawful to deserve my food
Of those, who have me in their civil power.

_Chor_. Where the heart joins not, outward acts defile not.

_Sams_. Where outward force constrains, the sentence holds.
But who constrains me to the temple of Dagon,
Not dragging? The Philistine lords command.
Commands are no constraints. If I obey them,
I do it freely, venturing to displease
God for the fear of Man, and Man prefer,
Set God behind.

The complaint of blindness which Samson pours out at the beginning of
the tragedy is equally addressed to the passions and the fancy. The
enumeration of his miseries is succeeded by a very pleasing train of
poetical images, and concluded by such expostulation and wishes, as
reason too often submits to learn from despair:

O first created Beam, and thou great Word
"Let there be light, and light was over all;"
Why am I thus bereav'd thy prime decree?
The sun to me is dark
And silent as the moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the soul,
She all in every part; why was the sight
To such a tender hall as the eye confin'd,
So obvious and so easy to be quench'd?
And not, as feeling, through all parts diffus'd,
That she may look at will through every pore?

Such are the faults and such the beauties of Samson A