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il 'invest with the purple,' in the course of ages, comes to mean kingdom, government, power, to rule. Purple is formed by the union of blue and red, truth and valor. Happy the people who are truly governed by truth and valor! The Tyrian purple was famous in Homer's days, and our dreams of Tyre and its splendor are all colored by this most gorgeous of dyes, the manufacture of which from a species of shell fish gave this ancient city a celebrity which all its other arts combined could not equal. This was one of the symbolic colors with which the high priest's robe was wrought in figures of pomegranates upon its skirt; and when Solomon sent to Hiram, king of Tyre, for a cunning workman to assist in building the temple, he did not fail to require he should be skilled in purple. During the time of the Roman emperors, the Tyrian purple was valued so highly that a pound of cloth twice dipped was sold for about one hundred and fifty dollars. Even a purple border about a robe was a mark of dignity. VIOLET. Is a color that has often been worn by martyrs; formed of a union of red and blue, it signifies love and truth, and their passion and suffering. It is the court mourning color all over Europe, with the exception of England. It is the softest of the prismatic colors, and its very name carries us in thought to the modest sweet flower which is Flora's emblem of humility. * * * * * Of one of the colors of the spectrum I have failed to speak, because there was so little to say. Orange is a bright, warm color, not quite as intense as red, still one which the eye does not readily seek. Its suitableness in dress is confined mainly to children. Upon them our eye naturally seeks for bright, warm colors, and rests with a kind of pleasure upon rich hues. There is nothing upon which the public taste requires more education than upon the arrangement and modification of colors. Gardeners need it in setting their plants and putting in their seeds; florists, in the arrangement of their bouquets; furnishers, in the decoration of apartments; and especially the fashion leaders, who decide what colors or shades must or must not be worn together. Sometimes hues are conjoined by them, that, no matter how loudly proclaimed _au fait_, the height of style, or _a la mode_, are never artistic, and no _dicta_ can make them so. A fashion framer should needs be a natural philosopher, and hold the rudiments of all sc
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