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when I came close to her and saw the old, bleared eyes in the midst of that beautifully enamelled face, the shock had in it something akin to horror. It was as though Death himself was peeping out triumphantly through the painted mask. And in that moment I seemed to see all the pitiful years of struggle that this unhappy woman had devoted to the pretence of never growing older. Her pink and white cheeks were not a thing of beauty. They were only a grim jest on herself, on her ambitions, her ideals, her poor little soul. Why should we be so much afraid of wrinkles and grey hairs? In their place they can be as beautiful as the freshest glow on the face of youth. There is a beauty of the sunrise and a beauty of the sunset. And of the two the beauty of the sunset is the deeper and more spiritual. There are some faces that seem to grow in loveliness as the snows fall around them, and the acid of Time bites the gracious lines deeper. The dimple has become a crease, but it is none the less beautiful, for in that crease is the epic of a lifetime. To smooth out the crease, to cover it with the false hue of youth, is to turn the epic into a satire. And if the painted face of age is horrible the painted face of youth is disgusting. It is artistically bad and spiritually worse. It is the mark of a debased taste and a shallow mind. It is like painting the lily or adding a perfume to the violet, and has on one the unpleasant effect that is made by the heavy odours in which the same type of person drenches herself, so that to pass her is like passing through a sickly fog. These things are the symptom of a diseased mind--a mind that has lost the healthy love of truth and nature, and has taken refuge in falsities and shams. The paint on the face does not stop at the cheeks. It stains the soul. ON WRITING AN ARTICLE I was putting on my boots just now in what the novelists call "a brown study." There was no urgent reason for putting on my boots. I was not going out, and my slippers were much more comfortable. But something had to be done. I wanted a subject for an article. Now if you are accustomed to writing articles for a living, you will know that sometimes the difficulty is not writing the article, but choosing a subject. It is not that subjects are few: it is that they are so many. It is not poverty you suffer from, but an embarrassment of riches. You are like Buridan's ass. That wretched creature starved between two b
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