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f every degree, with as much informality as people choose, if they go to look, or as much state if they go to be looked at; these things are much less cumbrously contrived than with us. The other hotel, I have the somewhat unauthorized fancy, is rather more addicted to very elect dinner-parties and suppers. Below these two are an endless variety of first-rate and second-rate houses, both in the newer quarter of the city, where the villa paths have been turned into streets, and in the old town on all the pleasant squares and avenues. There is a tradition of unhealth concerning the old town which the modern death-rate of Rome shows to be unjust; at the worst these places have more dark and damp, and the hotels are not steam-heated. It has seemed to me that there are not so many _hotels garnis_ in Rome as there used to be in Italian cities, but they, too, abound in pleasant streets, and the stranger who has a fancy for lodgings with breakfast in his rooms, and likes to browse about for his luncheon and dinner, will easily suit himself. If it comes to taking a furnished apartment for the season, there is much range in price and much choice in place. The agents who have them to let will begin, rather dismayingly, "Oh, apartments in Rome are very dear." But you learn on inquiry that a furnished flat in the Ludovisi region, in a house with a lift and full sun, may be had for two hundred dollars a month. From this height the rents of palatial apartments soar to such lonely peaks as eight hundred and sink to such levels as a hundred and twenty or a hundred; and for this you have linen and silver and all the movables and utensils you want, as well as several vast rooms opening wastefully from one to another till you reach the salon. The rents of the like flats, if vacant, would be a quarter or a third less, though again the agents begin by telling you that there is very little difference between the rents of furnished and unfurnished flats. The flats are in every part of the old town and the new; and some are in noble sixteenth and seventeenth century palaces, such as we are accustomed to at home only in the theatre. My own experience is that everybody, especially in houses where there are no lifts, lives on the top floor. You pass many other floors in going up, but you are left to believe that nobody lives on them. When you reach the inhabited levels, you find them charming inside for their state and beauty, and outside for the
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