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had made a vow not to change it whilst the siege of the hot weather lasted,--now confronted the advancing sunlight, before which the long shadows of the buildings were slowly retiring. A marketing mother of a family paused at a provision-store, and looking weakly in at the white-aproned butcher among his meats and flies, passes without an effort to purchase. Hurried and wearied shop-girls tripped by in the draperies that betrayed their sad necessity to be both fine and shabby; from a boarding-house door issued briskly one of those cool young New Yorkers whom no circumstances can oppress: breezy-coated, white-livened, clean, with a good cigar in the mouth, a light cane caught upon the elbow of one of the arms holding up the paper from which the morning's news is snatched, whilst the person sways lightly with the walk; in the street-cars that slowly tinkled up and down were rows of people with baskets between their legs and papers before their faces; and all showed by some peculiarity of air or dress the excess of heat which they had already borne, and to which they seemed to look forward, and gave by the scantiness of their number a vivid impression of the uncounted thousands within doors prolonging, before the day's terror began, the oblivion of sleep. As they turned into one of the numerical streets to cross to Broadway, and found themselves in a yet deeper seclusion, Basil-began to utter in a musing tone: "A city against the world's gray Prime, Lost in some desert, far from Time, Where noiseless Ages gliding through, Have only sifted sands and dew, Yet still a marble head of man Lying on all the haunted plan; The passions of the human heart Beating the marble breast of Art, Were not more lone to one who first Upon its giant silence burst, Than this strange quiet, where the tide Of life, upheaved on either aide, Hangs trembling, ready soon to beat With human waves the Morning Street." "How lovely!" said Isabel, swiftly catching at her skirt, and deftly escaping contact with one of a long row of ash-barrels posted sentinel-like on the edge of the pavement. "Whose is it, Basil?" "Ah! a poet's," answered her husband, "a man of whom we shall one day any of us be glad to say that we liked him before he was famous. What a nebulous sweetness the first lines have, and what a clear, cool light of day-bre
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