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ved to intermingle a little flattery that Stafford recognized only to ignore. They had known one another well in earlier days, and Kate was immensely pleased at finding her playfellow both famous and not forgetful. Eugene looked on from his seat at the foot of the table with silent wonder. Here was a man who might and indeed ought to talk to Claudia, and yet was devoting himself to Kate. "I suppose it's on the same principle that he takes water instead of champagne," he thought; but the situation amused him, and he darted at Claudia a look that conveyed to that young lady the urgent idea that she was, as boys say, "dared" to make Father Stafford talk to her. This was quite enough. Helped by the unconscious alliance of Haddington, who thought Miss Bernard had let him alone quite long enough, she seized her opportunity, and said in the softest voice: "Father Stafford?" Stafford turned his head, and found fixed upon him a pair of large, dark eyes, brimming over with mingled contrition and admiration. "I am so sorry--but--but I thought you looked so ill." Stafford was unpleasantly conscious of being human. The triumph of wickedness is a spectacle from which we may well avert our eyes. Suffice it to say that a quarter of an hour later Claudia returned Eugene's glance with a look of triumph and scorn. Meanwhile, trouble had arisen between the Bishop and Mr. Morewood. Morewood was an artist of great ability, originality, and skill; and if he had not attained the honors of the Academy, it was perhaps more of his own fault than that of the exalted body in question, as he always treated it with an ostentatious contumely. After all, the Academy must be allowed its feelings. Moreover, his opinions on many subjects were known to be extreme, and he was not chary of displaying them. He was sitting on Mrs. Lane's left, opposite the Bishop, and the latter had started with his hostess a discussion of the relation between religion and art. All went harmoniously for a time; they agreed that religion had ceased to inspire art, and that it was a very regrettable thing; and there, one would have thought the subject--not being a new one--might well have been left. Suddenly, however, Mr. Morewood broke in: "Religion has ceased to inspire art because it has lost its own inspiration, and having so ceased, it has lost its only use." The Bishop was annoyed. A well-bred man himself, he disliked what seemed to him ill-bred attacks
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