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re not to his liking. He adjusted himself now to the idea of making Jean the Western star his employers seemed to think was inevitable. That night before he went to bed he wrote a play which had in it fifty-two scenes. Thirty-five of them were what is known technically as exteriors. In most of them Jean was to ride on horseback through wild places. The rest were dramatic close-ups. Robert Grant Burns went over it carefully when it was finished, and groaning inwardly he cut out two love scenes which were tense, and which Muriel Gay and Lee Milligan would have "eaten up," as he mentally expressed it. The love interest, he realized bitterly, must be touched upon lightly in his scenarios from now on; which would have lightened appreciably the heart of Lite Avery, if he had only known it, and would have erased from his mind a good many depressing visions of Jean as the film sweetheart of those movie men whom he secretly hated. Jean did not hesitate five minutes before she signed the contract which Burns presented to her the next morning. She was human, and she had learned enough about the business to see that, speaking from a purely professional point of view, she was extremely fortunate. Not every girl, surely, can hope to jump in a few weeks from the lowly position of an inexperienced "extra" to the supposedly exalted one of leading woman. And to her that hundred dollars a week which the contract insured her looked a fortune. It spelled home to her, and the vindication of her beloved dad, of whom she dared not think sometimes, it hurt her so. Her book was not progressing as fast as she had expected when she began it. She had been working at it sporadically now for eight weeks, and she had only ten chapters done,--and some of these were terribly short. She had looked through all of the novels that she owned, and had computed the average number of chapters in each; thirty she decided would be a good, conservative number to write. She had even divided those thirty into three parts, and had impartially allotted ten to adventure, ten to mystery and horror, and ten to love-making. Such an arrangement should please everybody, surely, and need only be worked out smoothly to prove most satisfying. But, as it happened, comedy would creep into the mystery and horror, which she mentally lumped together as agony. Adventure ran riot, and straight love-making chapters made her sleepy, they bored her so. She had tried
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