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ul prose I appreciate the pure poetry of your own temperament." He raised his glass. "To your good health, Miss Markham, and good night." As he neared the door, she called him back. "You have forgotten the pearls," she said. "No, but I wanted you to remind me." She unclasped them, and handed them to him. He held them in his hand for a moment. "They are warm," he said, "from your soft, round neck." He raised them to his lips for a moment and then dropped them into a prosaic inside pocket of his coat. "Yes," he said, "from time immemorial women have been fond of casting their pearls before swine, haven't they? But you have kept the real pearls." He bowed low to her, and in a moment was gone. In a letter which Miss Markham wrote to Miss Ryles appeared the following passage: "It was such a pity, dear, that you could not come down to the bungalow the other week-end, it was so quiet and peaceful; incidentally, by mere chance, I met quite the most charming man I have ever seen in my life. No more news, except that I got tired of my old pearl necklace and am getting another. "Oh, and I was quite forgetting; you said that if ever I wanted to part with my emerald ring, I was to give you the first refusal of it. My dear, you can have it. I have decided that pearls are the only things I can wear." Naturally Miss Markham had to give notice to the police of the fact that she had lost her pearl necklace. She had heard something moving in her bedroom, and on entering it a man had jumped out through the window. All she could say for certain was that he was clean-shaven, and had close-cropped black hair. End of Project Gutenberg's The New Gulliver and Other Stories, by Barry Pain *** END OF THIS PROJECT GUTENBERG EBOOK THE NEW GULLIVER AND OTHER STORIES *** ***** This file should be named 33542.txt or 33542.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/5/4/33542/ Produced by Christine Bell and Marc D'Hooghe at http://www.freeliterature.org Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use
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