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BARCLAY'S NOVELS May be had wherever books are sold. Ask for Grosset & Dunlap's list. THE WHITE LADIES OF WORCESTER A novel of the 12th Century. The heroine, believing she had lost her lover, enters a convent. He returns, and interesting developments follow. THE UPAS TREE A love story of rare charm. It deal with a successful author and his wife. THROUGH THE POSTERN GATE The story of a seven day courtship, in which the discrepancy in ages vanished into insignificance before the convincing demonstration of abiding love. THE ROSARY The story of a young artist who is reputed to love beauty above all else in the world, but who, when blinded through an accident, gains life's greatest happiness. A rare story of the great passion of two real people superbly capable of love, its sacrifices and its exceeding reward. THE MISTRESS OF SHENSTONE The lovely young Lady Ingleby, recently widowed by the death of a husband who never understood her, meets a fine, clean young chap who is ignorant of her title and they fall deeply in love with each other. When he learns her real identity a situation of singular power is developed. THE BROKEN HALO The story of a young man whose religious belief was shattered in childhood and restored to him by the little white lady, many years older than himself, to whom he is passionately devoted. THE FOLLOWING OF THE STAR The story of a young missionary, who, about to start for Africa, marries wealthy Diana Rivers, in order to help her fulfill the conditions of her uncle's will, and how they finally come to love each other and are reunited after experiences that soften and purify. GROSSET & DUNLAP, PUBLISHERS, NEW YORK * * * * * Transcriber's note: There are inconsistencies in hyphenation, accentation, and dialect. All are as in the book. ***END OF THE PROJECT GUTENBERG EBOOK WHERE THE PAVEMENT ENDS*** ******* This file should be named 32946.txt or 32946.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/2/9/4/32946 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright
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