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tore at the cheeks and eyelids of the Kerub, and, though he held her as in a vice, she arched herself so stiffly and made such excellent play with knee and elbow, that the human-headed bull, blinded with blood and rage, was sent crashing into the piano which gave forth a prolonged groan, while the bombs, tumbling out of his pockets, fell on the floor with a noise like thunder. And Bouchotte, with dishevelled locks, and one breast bare, beautiful and terrible, stood brandishing the poker over the prostrate giant, crying: "Be off with you, or I'll put your eyes out!" Prince Istar went to wash himself in the kitchen, and plunged his gory visage into a basin where some haricot beans lay soaking; then he withdrew without anger or resentment, for he had a noble soul. Scarcely had he gone when the door-bell rang. Bouchotte, calling upon the absent maid in vain, slipped on a dressing-gown and opened the door herself. A young man, very correct in appearance and rather good-looking, bowed politely, and apologising for having to introduce himself, gave his name. It was Maurice d'Esparvieu. Maurice was still seeking his guardian angel. Upheld by a desperate hope, he sought him in the queerest places. He enquired for him at the houses of sorcerers, magicians, and thaumaturgists, who in filthy hovels lay bare the ineffable secrets of the future, and who, though masters of all the treasures of the earth, wear trousers without any seats to them, and eat pigs' brains. That very day, having been to a back street in Montmartre to consult a priest of Satan, who practised black magic by piercing waxen images, Maurice had gone on to Bouchotte's, having been sent by Madame de la Verdeliere, who, being about to give a fete in aid of the fund for the Preservation of Country Churches, was anxious to secure Bouchotte's services, since she had suddenly become--no one knew why--a fashionable artiste. Bouchotte invited the visitor to sit down on the little flowered couch; at his request she seated herself beside him, and our young man of fashion explained to the singer what Madame de la Verdeliere desired of her. The lady wished Bouchotte to sing one of those _apache_ songs which were giving such delight in the fashionable world. Unfortunately Madame de la Verdeliere could only offer a very modest fee, one out of all proportion to the merits of the artiste, but then it was for a good cause. Bouchotte agreed to take part, and accepted th
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