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ct was the Chapelle des Anges in St. Sulpice, in which the paintings were peeling off the walls, and which he was one day to restore; when, that is, it should please God, for, since the Separation, the churches belonged solely to God, and no one would undertake the responsibility of even the most urgent repairs. But old Guinardon demanded no salary. "Michael is my patron saint," he said. "And I have a special devotion for the Holy Angels." After they had had their game of dominoes, Monsieur Sariette, very thin and small, and old Guinardon, sturdy as an oak, hirsute as a lion, and tall as a Saint Christopher, went off chatting away side by side across the Place Saint Sulpice, heedless of whether the night were fine or stormy. Monsieur Sariette always went straight home, much to the regret of the painter, who was a gossip and a nightbird. The following day, as the clock struck seven, Monsieur Sariette would take up his place in the library, and resume his cataloguing. As he sat at his desk, however, he would dart a Medusa-like look at anyone who entered, fearing lest he should prove to be a book-borrower. It was not merely the magistrates, politicians, and prelates whom he would have liked to turn to stone when they came to ask for the loan of a book with an air of authority bred of their familiarity with the master of the house. He would have done as much to Monsieur Gaetan, the library's benefactor, when he wanted some gay or scandalous old volume wherewith to beguile a wet day in the country. He would have meted out similar treatment to Madame Rene d'Esparvieu, when she came to look for a book to read to her sick poor in hospital, and even to Monsieur Rene d'Esparvieu himself, who generally contented himself with the Civil Code and a volume of Dalloz. The borrowing of the smallest book seemed like dragging his heart out. To refuse a volume even to such as had the most incontestable right to it, Monsieur Sariette would invent countless far-fetched or clumsy fibs, and did not even shrink from slandering himself as curator or from casting doubts on his own vigilance by saying that such and such a book was mislaid or lost, when a moment ago he had been gloating over that very volume or pressing it to his bosom. And when ultimately forced to part with a volume he would take it back a score of times from the borrower before he finally relinquished it. He was always in agony lest one of the objects confided to his care
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