FREE BOOKS

Author's List




PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   >>   >|  
tely superior to ours, and they have the additional advantage of not being corrosive or injurious either to the pen or paper. Their pen is the reed commonly used in the East, only the nib is made sharper than that which is required to write the Arabic character. The ink-horn is usually the small end of a cow's horn, which is stuck into the ground at the feet of the scribe. In the most ancient Greek frescos and illuminations this kind of ink-horn is the one generally represented, and it seems to have been usually inserted in a hole in the writing-desk: no writing-desk, however, is in use among the children of Habesh. Seated upon the ground, the square piece of thick greasy vellum is held upon the knee or on the palm of the left hand. The Abyssinian alphabet consists of 8 times 26 letters, 208 characters in all, and these are each written distinctly and separately like the letters of an European printed book. They have no cursive writing; each letter is therefore painted, as it were, with the reed pen, and as the scribe finishes each he usually makes a horrible face and gives a triumphant flourish with his pen. Thus he goes on letter by letter, and before he gets to the end of the first line he is probably in a perspiration from his nervous apprehension of the importance of his undertaking. One page is a good day's work, and when he has done it he generally, if he is not too stiff, follows the custom of all little Arab boys, and swings his head or his body from side to side, keeping time to a sort of nasal recitative, without the help of which it would seem that few can read even a chapter of the Koran, although they may know it by heart. Some of these manuscripts are adorned with the quaintest and grimmest illuminations conceivable. The colours are composed of various ochres. In general the outlines of the figures are drawn first with the pen. The paint brush is made by chewing the end of a reed till it is reduced to filaments and then nibbling it into a proper form: the paint brushes of the ancient Egyptians were made in the same way, and excellent brooms for common purposes are made at Cairo by beating the thick end of a palm-branch till the fibres are separated from the pith, the part above, which is not beaten, becoming the handle of the broom. The Abyssinian having nibbled and chewed his reed till he thinks it will do, proceeds to fill up the spaces between the inked outlines with his colours. The Blessed Virgin
PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   >>   >|  



Top keywords:

letter

 
writing
 
ancient
 

scribe

 
generally
 
illuminations
 
Abyssinian
 

colours

 

letters

 

outlines


ground
 

swings

 

adorned

 

manuscripts

 
custom
 
recitative
 

quaintest

 

keeping

 

chapter

 
nibbling

beaten
 

handle

 

branch

 

fibres

 
separated
 

nibbled

 

chewed

 
spaces
 

Blessed

 
Virgin

thinks
 

proceeds

 

beating

 

chewing

 

reduced

 
filaments
 

figures

 

general

 

conceivable

 
composed

ochres

 

brooms

 

excellent

 

common

 
purposes
 

proper

 

brushes

 
Egyptians
 

grimmest

 

finishes