FREE BOOKS

Author's List




PREV.   NEXT  
|<   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286  
287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   >>   >|  
ight his inspirations. Even more obviously was the genius of Keats dependent upon his culture. He did not read Greek, but from translations of Greek literature and from the direct study of Greek art he got the sort of material that he needed. And in our own day Morris has been evidently a very diligent student of many literatures. What I insist upon is, that we could not have had the real Keats, the real Morris, unless they had prepared themselves by culture. We see immediately that the work they have done is _their_ work, specially, that they were specially adapted for it--inspired for it, if you will. But how evident it is that the inspiration could never have produced the work, or anything like it, without labor in the accumulation of material! Now, although men of genius cannot be regularly progressive in actual production, cannot write so many verses a day, regularly, as you may spin yarn, they can be very regular as students, and some of the best of them have been quite remarkable for unflinching steadiness of application in that way. The great principle recommended by Mr. Galton, of not looking forward eagerly to the end of your journey, but interesting yourself chiefly in the progress of it, is as applicable to the studies of men of genius as to those of more ordinary persons. LETTER VI. TO AN ARDENT FRIEND WHO TOOK NO REST. On some verses of Goethe--Man not constituted like a planet--Matthew Arnold's poem, "Self-dependence"--Poetry and prose--The wind more imitable than the stars--The stone in Glen Croe--Rest and be thankful. "Rambling over the wild moors, with thoughts oftentimes as wild and dreary as those moors, the young Carlyle, who had been cheered through his struggling sadness, and strengthened for the part he was to play in life, by the beauty and the wisdom which Goethe had revealed to him, suddenly conceived the idea that it would be a pleasant and a fitting thing if some of the few admirers in England forwarded to Weimar a trifling token of their admiration. On reaching home Mr. Carlyle at once sketched the design of a seal to be engraved, the serpent of eternity encircling a star, with the words _ohne Hast, ohne Rast_ (unhasting, unresting), in allusion to the well-known verses-- 'Wie das Gestirn, Ohne Hast Aber ohne Rast Drehe sich jeder Um die eigne Last.' (Like a star, unhasting, unresting, be each one fulfilling his God-given 'hest.')"[10] This is said
PREV.   NEXT  
|<   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286  
287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   >>   >|  



Top keywords:

verses

 

genius

 

unhasting

 

Goethe

 

Carlyle

 
regularly
 

specially

 

unresting

 
material
 

culture


Morris
 
oftentimes
 

thoughts

 

dreary

 
fulfilling
 

beauty

 

strengthened

 

cheered

 

struggling

 
sadness

dependence

 

Poetry

 
Arnold
 

planet

 

Matthew

 

thankful

 
Rambling
 

imitable

 
wisdom
 
constituted

design

 

sketched

 
reaching
 

engraved

 

encircling

 

eternity

 

serpent

 

admiration

 

pleasant

 
fitting

conceived

 

allusion

 

revealed

 

suddenly

 

forwarded

 
Weimar
 

trifling

 

England

 

admirers

 
Gestirn