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promise. And, meanwhile, you'll be building a new Broadway up there in the stars!" "Yes," Paul said dreamily, "that is something to look forward to, isn't it?" Fresh, enthusiastic audiences, performers untrammeled by tradition, a cooperative government, unlimited funds--why, there was a whole wonderful new world opening up before him. "--In another ten years or so," Ivo was saying, "Sirian actors will be coming to Earth in droves, making the native performers look sick--" Paul smiled wisely. "Now, Ivo, you know Equity would never stand for _that_." "Equity won't be able to help itself. Public pressure will surge upward in a mounting wave and--" Ivo stopped. "Sorry. I was ranting again, wasn't I? It's being out in the open air that does it. I need to be bounded by the four walls of a theater." "That's a fallacy," Paul began. "On the Greek stage--" "Save that for the stars, fella," Ivo smiled. "You've got to leave before it gets light." Then he wrung Paul's hand. "Good-by, kid," he said. "You'll knock 'em dead on Sirius." "Good-by, Ivo." Paul returned the grip. Then he got inside and closed the airlock door behind him. He did hope Ivo would correct that tendency toward declamation; on the other hand, it was certainly better than mumbling. Paul put a _Sirian-in-a-jiffy_ record on the turntable, because he might as well start learning the language right away. Of course he'd have no one to talk to but himself for many months, but then, when all was said and done, he was his own favorite audience. He strapped himself into the acceleration couch and prepared for take-off. "Next week, _East Lynne_," he said to himself. End of the Project Gutenberg EBook of My Fair Planet, by Evelyn E. Smith *** END OF THIS PROJECT GUTENBERG EBOOK MY FAIR PLANET *** ***** This file should be named 31648.txt or 31648.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/6/4/31648/ Produced by Greg Weeks, Mary meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in th
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