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of the mosaic into an uneven surface: the gold seeming to have become alive and in a way vegetable, and to have faded and shrunk like autumn leaves. XI. The morning I speak of they were singing some fugued composition by I know not whom. How well that music suited St. Mark's! The constant interchange of vault and vault, cupola and cupola, column and column, handing on their energies to one another; the springing up of new details gathered at once into the great general balance of lines and forces; all this seemed to find its natural voice in that fugue, to express, in that continuous revolution of theme chasing, enveloping theme, its own grave emotion of life everlasting: Being, becoming; becoming, being. XII. It is such an alternation as this, ceaseless, rhythmic, which constitutes the upward life of the soul: that life of which the wise woman of Mantineia told Socrates that it might be learned through faithful and strenuous search for ever widening kinds of beauty, the "life above all," in the words of Diotima, "which a man should live." The life which vibrates for ever between being better and conceiving of something better still; between satisfaction in harmony and craving for it. The life whose rhythm is that of happiness actual and happiness ideal, alternating for ever, for ever pressing one another into being, as the parts of a fugue, the dominant and the tonic. Being, becoming; becoming, being; idealising, realising; realising, idealising. BEAUTY AND SANITY. I. Out of London at last; at last, though after only two months! Not, indeed, within a walk of my clump of bay-trees on the Fiesole hill; but in a country which has some of that Tuscan grace and serene austerity, with its Tweed, clear and rapid in the wide shingly bed, with its volcanic cones of the Eildons, pale and distinct in the distance: river and hills which remind me of the valley where the bay-trees grow, and bring to my mind all that which the bay-trees stand for. There is always something peculiar in these first hours of finding myself once more alone, once more quite close to external things; the human jostling over, an end, a truce at least, to "all the neighbours' talk with man and maid--such men--all the fuss and trouble of street sounds, window-sights" (how he knew these things, the poet!); once more in communion with the things which somehow--nibbled grass and stone-tossed water, yellow ragwort in the fields
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