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house. No one of his relatives had ever known the truth about his wife except his father, who had died with the secret, and it was not likely that any one should ask questions. If any one did, he would certainly not satisfy such curiosity. But he cared little for society, and spent his time either alone with books and wine, or in occasional excursions into the artist world, where his eccentricities excited little remark, and where he met men who secretly sympathized with the Italian revolutionary movement, and dabbled in conspiracies which rather amused than disquieted the papal government. Though Gloria was at that time but little more than sixteen years of age, her father took her with him to little informal parties at the studios or even at the houses of artists, where there was often good music, and clever if not serious conversation. The conventionalities of age were little regarded in such circles. Gloria appeared, too, much older than she really was, and her marvellous voice made her a centre of attraction at an age when most young girls are altogether in the background. Dalrymple never objected to her singing on such occasions, and he invariably listened with closed eyes and folded hands, as though he were assisting at a religious service. Her voice was like her mother's, excepting that it was pitched higher, and had all the compass and power necessary for a great soprano. Dalrymple's almost devout attitude when Gloria was singing was the only allusion, if one may call it so, which he ever made to his dead wife's existence, and no one who watched him knew what it meant. But he was often more silent than usual after she had sung, and he sometimes went off by himself afterwards and sat for hours in one of the old wine cellars near the Capitol, drinking gloomily of the oldest and strongest he could find. For he drank more or less perpetually in the evening, and wine made him melancholic and morose, though it did not seem to affect him otherwise. Little by little, however, it was dulling the early keenness of his intellect, though it hardly touched his constitution at all. He was lean and bony still, as in the old days, but paler in the face, and he had allowed his red beard to grow. It was streaked with grey, and there were small, nervous lines about his eyes, as well as deep furrows on his forehead and face. Dalrymple had found in the artist world a man who was something of a companion to him at times,--a very
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