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one," and bade him decide. The bishop accepted the responsibility, reminded them of the grief which arose when St. Benedict sent forth St. Maur to Western Gaul, and exhorted Hugh that the Son of God had left the deepest recess of His Deity to be manifest for the salvation of many. "You too must pilgrimage for a little time from your dearest, breaking for a while the silence of the quiet you have loved." After much interruption from Hugh, the sentence was given. They all kissed him and sent him away forthwith. The king received him with much graciousness and ordered him to be carried honourably to Witham, and the wretched remnant in the mud flat received him as an angel of God. Well they might do so, for they seemed to have passed a melancholy winter in twig huts, now called "weeps," in a little paled enclosure, not only without the requisites of their order, but with barely bread to their teeth. There was no monastery, not even a plan of one. William FitzJohn and his clayey serfs scowled upon the shivering interlopers, uncertain what injustice might be done to them and to their fathers' homes, in sacrifices to the ghost of St. Thomas. Witham is a sort of glorified soup-plate, still bearing traces of its old Selwood Forest origin, for the woodlands ring round it. The infant river Avon creeps through its clayey bottom, and there are remains of the old dams which pent it into fish-ponds. Of the convent nothing remains except a few stumps in a field called "Buildings," unless the stout foundations of a room, S.E. of the church, called the reading-room, mark the guest house, as tradition asserts. Much of the superstructure of this cannot go back beyond the early sixteenth century, but the solid walls, the small size (two cottage area), allow of the fancy that here was the site of many colloquies between our Hugh and Henry Fitz-Empress.{1} The church itself is one of the two erected by St. Hugh, partly with his own hands. It is the lay brothers' church (called since pre-Franciscan days, the Friary). The conventual church has left no wrack behind. The style is entirely Burgundian, a single nave, with Romanesque windows, ending in an apse. The "tortoise" roof, of vaulted stone, is as lovely as it is severe. In 1760 the Tudor oaken bell-turret survived. The horrid story of how a jerry-built tower was added and the old post-Hugonian font built into it, how a new font was after long interval added, does not concern us. The towe
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