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ed human flesh filled the room. Then came a new sound, the hissing splash of spilled metal. The pot was dumped. Taylor dropped the rope and faced the sphere. He saw the charred pile of ashes beside the inhuman creature. Nearby was a fused tube of metal, all that was left of Pember's rifle. "All right, you devil!" shouted Taylor. "Strike and be damned! There's one thing you can't fix, and that's the metal pot. Your spores are dead. Your mistake was in having a metal pot for a mother!" Taylor sensed understanding in the sphere. Those eyes that were not eyes, but windows of the mind, seemed to fade. Flame licked out again from the monster, but it did not launch toward Taylor. Nor was Masters the target. Instead, the flame reached toward the fading yellow hemisphere and the cooling pool of metal on the floor. There lay the hopes of the species on this planet, wrecked with a block and tackle. _Plop_! The hemisphere exploded like a bubble. _Plop_! The mourning sphere disappeared. _Plop. Plop. Plop._ Three more spheres appeared in the opening in the roof and vanished. Masters tugged on Taylor's sleeve. "Come on! We've got a chance, if we can get to the tunnel!" Taylor shook his head. "No need. We're safe now. If they've changed to radio energy, the big broadcast is on." The sky was filled with exploding spheres as the whispers sobbed the tale of the disaster. A score of the energy monsters, bred from the metal pot overnight, burst in the rays of the rising sun. Energy, meeting resistance, was changing to something else. The war of energy and matter might continue on the molten surface of the sun, but on earth there would be only the wars of ideals. * * * * * End of the Project Gutenberg EBook of The Whispering Spheres, by Russell Robert Winterbotham *** END OF THIS PROJECT GUTENBERG EBOOK THE WHISPERING SPHERES *** ***** This file should be named 22226.txt or 22226.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/2/2/22226/ Produced by Greg Weeks, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) ca
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