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I should rather ascribe it to the fact that European art in its best period was mainly devoted to depicting Christian subjects for Christian churches. At all events several considerable Jewish names may be cited in contemporary art, and the Dutch painter who bears the name of Israels is perhaps the greatest living master of the pathetic in painting. In Western Europe, wherever public life has been opened to them, Jews have thrown themselves into almost all the great movements of their time and have distinguished themselves in nearly all. Cremieux, who was a leading figure in the French Republic of 1848, was a Jew both by birth and by creed. David Manin and Leon Gambetta had Jewish blood in their veins. Lassalle and Marx, the chief names in German socialism, as well as great numbers of their followers belong to the same race, and more than one English example of political eminence will occur to the reader. In both German and Dutch literature Jewish names are frequent and they are nearly everywhere prominent in journalism. In the army they have been much less distinguished. Many Jews no doubt serve in the great continental armies with honour, but the Jew is naturally a pacific being, hating violence and recoiling with a peculiar horror from blood. The beneficence of the Jew was for a long time very naturally confined to his own race, but since the hand of persecution has been withdrawn, and wherever the Jews have been suffered to mingle freely with the Christian population, it has taken a wider range and Jewish names are conspicuous in some of the best forms of unsectarian philanthropy. It is the evident tendency of modern political life to split up into a number of distinct groups representing distinct interests or forms of thought. We find a Catholic party, a Nonconformist party, a Labour party, a Socialist party, a Temperance party, and many others. But in spite of the crusade that has arisen in so many countries against the Jews, we nowhere find a distinct and clearly defined Jewish party. The tendency of the race is rather to throw themselves ardently into existing movements, and their power of assimilation is one of their most remarkable gifts. As M. Leroy-Beaulieu shows by many illustrations, they are apt in most Western nations even to exaggerate the national characteristics, though they usually combine with them a certain flexibility of adaptation and a certain cosmopolitanism of view which is essentially their
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