o me that he liked to
look at us, and that our faces were open books to him. When his
deep-seeing eyes rested on me, I felt as if he were looking far ahead into
the future for me, down the road I would have to travel.

At nine o'clock Mr. Shimerda lighted one of our lanterns and put on his
overcoat and fur collar. He stood in the little entry hall, the lantern
and his fur cap under his arm, shaking hands with us. When he took
grandmother's hand, he bent over it as he always did, and said slowly,
"Good wo-man!" He made the sign of the cross over me, put on his cap and
went off in the dark. As we turned back to the sitting-room, grandfather
looked at me searchingly. "The prayers of all good people are good," he
said quietly.

XIII

THE week following Christmas brought in a thaw, and by New Year's Day all
the world about us was a broth of gray slush, and the guttered slope
between the windmill and the barn was running black water. The soft black
earth stood out in patches along the roadsides. I resumed all my chores,
carried in the cobs and wood and water, and spent the afternoons at the
barn, watching Jake shell corn with a hand-sheller.

One morning, during this interval of fine weather, Antonia and her mother
rode over on one of their shaggy old horses to pay us a visit. It was the
first time Mrs. Shimerda had been to our house, and she ran about
examining our carpets and curtains and furniture, all the while commenting
upon them to her daughter in an envious, complaining tone. In the kitchen
she caught up an iron pot that stood on the back of the stove and said:
"You got many, Shimerdas no got." I thought it weak-minded of grandmother
to give the pot to her.

After dinner, when she was helping to wash the dishes, she said, tossing
her head: "You got many things for cook. If I got all things like you, I
make much better."

She was a conceited, boastful old thing, and even misfortune could not
humble her. I was so annoyed that I felt coldly even toward Antonia and
listened unsympathetically when she told me her father was not well.

"My papa sad for the old country. He not look good. He never make music
any more. At home he play violin all the time; for weddings and for dance.
Here never. When I beg him for play, he shake his head no. Some days he
take his violin out of his box and make with his fingers on the strings,
like this, but never he make the music. He don't like this kawn-tree."

"People who do