than Sludge the Medium. He confesses not only fraud,
but things which are to the natural man more difficult to confess even
than fraud--effeminacy, futility, physical cowardice. And then, when
the last of his loathsome secrets has been told, when he has nothing
left either to gain or to conceal, then he rises up into a perfect
bankrupt sublimity and makes the great avowal which is the whole pivot
and meaning of the poem. He says in effect: "Now that my interest in
deceit is utterly gone, now that I have admitted, to my own final
infamy, the frauds that I have practised, now that I stand before you
in a patent and open villainy which has something of the
disinterestedness and independence of the innocent, now I tell you
with the full and impartial authority of a lost soul that I believe
that there is something in spiritualism. In the course of a thousand
conspiracies, by the labour of a thousand lies, I have discovered that
there is really something in this matter that neither I nor any other
man understands. I am a thief, an adventurer, a deceiver of mankind,
but I am not a disbeliever in spiritualism. I have seen too much for
that." This is the confession of faith of Mr. Sludge the Medium. It
would be difficult to imagine a confession of faith framed and
presented in a more impressive manner. Sludge is a witness to his
faith as the old martyrs were witnesses to their faith, but even more
impressively. They testified to their religion even after they had
lost their liberty, and their eyesight, and their right hands. Sludge
testifies to his religion even after he has lost his dignity and his
honour.
It may be repeated that it is truly extraordinary that any one should
have failed to notice that this avowal on behalf of spiritualism is
the pivot of the poem. The avowal itself is not only expressed
clearly, but prepared and delivered with admirable rhetorical force:--
"Now for it, then! Will you believe me, though?
You've heard what I confess: I don't unsay
A single word: I cheated when I could,
Rapped with my toe-joints, set sham hands at work,
Wrote down names weak in sympathetic ink.
Rubbed odic lights with ends of phosphor-match,
And all the rest; believe that: believe this,
By the same token, though it seem to set
The crooked straight again, unsay the said,
Stick up what I've knocked down; I can't help that,
It's truth! I somehow vomit truth to-day.
This trade of
|