FREE BOOKS

Author's List




PREV.   NEXT  
|<   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57  
58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   >>   >|  
rom the dust-bin of the ages. What ornamental _motif_ of any universality, worth, or importance is less than a hundred years old? We continue to use the honeysuckle, the acanthus, the fret, the egg and dart, not because they are appropriate to any use we put them to, but because they are beautiful _per se_. Why are they beautiful? It is not because they are highly conventionalized representations of natural forms which are themselves beautiful, but because they express cosmic truths. The honeysuckle and the acanthus leaf, for example, express the idea of successive impulses, mounting, attaining a maximum, and descending--expanding from some focus of force in the manner universal throughout nature. Science recognizes in the spiral an archetypal form, whether found in a whirlpool or in a nebula. A fret is a series of highly conventionalized spirals: translate it from angular to curved and we have the wave-band; isolate it and we have the volute. Egg and dart are phallic emblems, female and male; or, if you prefer, as ellipse and straight line, they are symbols of finite existence contrasted with infinity. [Figure 1.] [Illustration: Figure 1.] Suppose that we determine to divest ourselves of these and other precious inheritances, not because they have lost their beauty and meaning, but rather on account of their manifold associations with a past which the war makes suddenly more remote than slow centuries have done; suppose that we determine to supplant these symbols with others no less charged with beauty and meaning, but more directly drawn from the inexhaustible well of mathematical truth--how shall we set to work? We need not _set_ to work, because we have done that already, we are always doing it, unknowingly, and without knowing the reason why. All ornamentalists are subjective mathematicians--an amazing statement, perhaps, but one susceptible of confirmation in countless amusing ways, of which two will be shown. [Illustration: Figure 2.] Consider first your calendar--your calendar whose commonplace face, having yielded you information as to pay day, due day, and holiday, you obliterate at the end of each month without a qualm, oblivious to the fact that were your interests less sordid and personal it would speak to you of that order which pervades the universe; would make you realize something of the music of the spheres. For on that familiar checkerboard of the days are numerical arrangements which are
PREV.   NEXT  
|<   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57  
58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   >>   >|  



Top keywords:

Figure

 

beautiful

 

Illustration

 

express

 

conventionalized

 

highly

 

determine

 

symbols

 

calendar

 

honeysuckle


acanthus
 

meaning

 

beauty

 
unknowingly
 

reason

 

familiar

 

knowing

 

suddenly

 
checkerboard
 

mathematical


ornamentalists

 

numerical

 
arrangements
 

suppose

 

supplant

 
charged
 

remote

 

centuries

 

inexhaustible

 

directly


countless
 

oblivious

 
holiday
 
obliterate
 

universe

 

pervades

 

realize

 

interests

 

sordid

 

personal


information
 

yielded

 

confirmation

 

amusing

 
susceptible
 

mathematicians

 

amazing

 

statement

 

commonplace

 
spheres