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any generations, the christening was to take place. An altar had been raised; and upon it was the golden service, a little apart the font, and upon either side of the long gallery were flowers banked 'neath specially honoured portraits. At the appointed hour the children defiled down the long room, then came the other guests, and finally Sir Julian Pomphrey in his robe of office--Father Pomphrey, so elegant, loving, good; a princely priest. Then came Janet with little Lady Ann in her arms; the child appearing like an Egyptian mummy in white bands. The Duke and Duchess looked handsome and proud, And when the celebration was concluded, all form was dissipated, the children gathering about the youngster for a "peep," then scampered to the flowers. And as the elder folk looked on, some one opined that the human nosegay was more gorgeous of apparel and glow of cheek than the Ayrshire rose or the twisted eglantine. Then suddenly the children gathered about a single portrait of remarkable rich colouring, and little Lady Margaret came running and saying with a lisp,-- "Come, see, Father; 'tis the prettiest picture here, and there are no flowers 'neath it." "What, no flowers?" and Father Pomphrey looked down in feigned surprise. "Why, here _is_ a flower!" and the child lifted a crushed immortelle from the parquetry and gave it to the priest, who quickly made the sign of the cross and said something almost inaudible about the flower being prophetic; and then he leant close to the child's ear, saying,-- "Will Lady Margaret do something for Father Pomphrey?" "Aye, anything--" "Remember always to pray for the soul of Lady Constance Clarmot." Then raising the flower, he said abstractedly,--"What gems of thought we find in the Garden of Youth!" End of the Project Gutenberg EBook of Mistress Penwick, by Dutton Payne *** END OF THIS PROJECT GUTENBERG EBOOK MISTRESS PENWICK *** ***** This file should be named 12256.txt or 12256.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/2/5/12256/ Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute
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