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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, No. 565, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction, No. 565 Vol. 20, No. 565., Saturday, September 8, 1832 Author: Various Release Date: April 25, 2004 [EBook #12147] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 565 *** Produced by Jonathan Ingram, Bill Walker and PG Distributed Proofreaders THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. Vol. 20, No. 565.] SATURDAY, SEPTEMBER 8, 1832. [PRICE 2d. * * * * * [Illustration: PERSIAN BATH.] * * * * * The luxurious indulgence of baths in the East is generally known to the reader of travels, so as to render acceptable the following details. They are extracted from Mr. Buckingham's Travels,[1] and bear all the graphic minuteness of his entertaining pen. [1] Travels in Assyria, Media, and Persia. H. Colburn, 4to., 1829. The Bath is one of the principal ones of Kermanshah, an important frontier town of Persia. "It was entered by a porch, extremely clean, and neatly ornamented by painting and other devices on its ceiling and walls. This remarkable contrast to the low, dark, and foul passages which generally lead to Turkish baths, was a presage, upon the very threshold, of greater comfort and accommodation within. "When we reached the undressing-room, this prepossession was still further strengthened. Here we found a square hall, well lighted from above, having on three of its sides elevated recesses for the visiters, and on the fourth, the passage from the outer porch to the hall, and from this to the inner bath. At the angles of these raised recesses, and dividing their lower roof, which they supported, from the higher one of the central square, were, four good marble pillars, with spirally fluted shafts, and moulded capitals, perfectly uniform in size and design, and producing the best effect. In the centre of the square space, which these marked out, and on a lower floor, was a large marble cistern of cold water; an
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