FREE BOOKS

Author's List




PREV.   NEXT  
|<   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291  
292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   >>   >|  
ps to wash out State-street and the engine's soot. One proposes that it be called "God's Drop." I have said that Walden has no visible inlet or outlet, but it is on the one hand distantly and indirectly related to Flint's Pond, which is more elevated, by a chain of small ponds coming from that quarter, and on the other directly and manifestly to Concord River, which is lower, by a similar chain of ponds through which in some other geological period it may have flowed; and by a little digging, which God forbid, it can be made to flow thither again. If by living thus reserved and austere, like a hermit in the woods, so long, it has acquired such wonderful purity, who would not regret that the comparatively impure waters of Flint's Pond should be mingled with it, or itself should ever go to waste its sweetness in the ocean wave? FOOTNOTES: [Footnote 65: From Chapter IX of "Walden," 1854.] [Footnote 66: The Castalian Fountain on Mount Parnassus was sacred to Apollo and the Muses.] [Footnote 67: With net-like markings.] [Footnote 68: Speckled.] [Footnote 69: The hero of an old ballad.] SELECTIONS FROM RUSKIN A. LEAFAGE OF TREES[70] One of the most remarkable characters of natural leafage is the constancy with which, while the leaves are arranged on the spray with exquisite regularity, that regularity is modified in their actual effect. For as in every group of leaves some are seen sideways, forming merely long lines, some foreshortened, some crossing each other, every one differently turned and placed from all the others, the forms of the leaves, though in themselves similar, give rise to a thousand strange and differing forms in the group; and the shadows of some, passing over the others, still farther disguise and confuse the mass until the eye can distinguish nothing but a graceful and flexible disorder of innumerable forms, with here and there a perfect leaf on the extremity, or a symmetrical association of one or two, just enough to mark the specific character and to give unity and grace, but never enough to repeat in one group what was done in another, never enough to prevent the eye from feeling that, however regular and mathematical may be the structure of parts, what is composed out of them is as various and infinite as any other part of nature. Nor does this take place in general effect only. Break off an elm bough three feet long, in full leaf, and lay it on the table before you, and
PREV.   NEXT  
|<   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291  
292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   315   316   >>   >|  



Top keywords:

Footnote

 
leaves
 

similar

 
Walden
 

regularity

 

effect

 

differing

 

strange

 

shadows

 

passing


confuse

 

disguise

 
arranged
 

thousand

 

farther

 

exquisite

 
actual
 

sideways

 
differently
 

forming


crossing
 

distinguish

 

foreshortened

 

turned

 

modified

 

nature

 

composed

 

infinite

 

general

 

structure


symmetrical

 

extremity

 

association

 
perfect
 
flexible
 

graceful

 

disorder

 
innumerable
 

specific

 

feeling


prevent

 

regular

 

mathematical

 

character

 

constancy

 
repeat
 

digging

 
forbid
 

flowed

 

period