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emark of the undertaker's wife, as reported by Philip Green. She had said, 'It should be there before now. It took longer, being out of the ordinary.' It was the coffin of which she spoke. It had been out of the ordinary. That could only mean that it had been made to some special measurement. But why? Why? Then in an instant I remembered the deep sides, and the little wasted figure at the bottom. Why so large a coffin for so small a body? To leave room for another body. Both would be buried under the one certificate. It had all been so clear, if only my own sight had not been dimmed. At eight the Lady Frances would be buried. Our one chance was to stop the coffin before it left the house. "It was a desperate chance that we might find her alive, but it WAS a chance, as the result showed. These people had never, to my knowledge, done a murder. They might shrink from actual violence at the last. The could bury her with no sign of how she met her end, and even if she were exhumed there was a chance for them. I hoped that such considerations might prevail with them. You can reconstruct the scene well enough. You saw the horrible den upstairs, where the poor lady had been kept so long. They rushed in and overpowered her with their chloroform, carried her down, poured more into the coffin to insure against her waking, and then screwed down the lid. A clever device, Watson. It is new to me in the annals of crime. If our ex-missionary friends escape the clutches of Lestrade, I shall expect to hear of some brilliant incidents in their future career." End of the Project Gutenberg EBook of The Disappearance of Lady Frances Carfax, by Arthur Conan Doyle *** END OF THIS PROJECT GUTENBERG EBOOK DISAPPEARANCE OF LADY CARFAX *** ***** This file should be named 2348.txt or 2348.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/4/2348/ Produced by David Brannan. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributi
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