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along who is interested in the history of the Civil War, and who would like to know something more about it than just the main facts, which is all the histories usually give, it is hoped that these recollections will be of assistance to him in that respect. Few soldiers, too, had so varied an experience as fell to the lot of the writer. Again, it has been a source of genuine pleasure to think over the old campaigns, with their diversity of experiences, and put what I have been able to call to mind into readable form. JAMES MADISON STONE. Boston, January, 1918. My task is done, my song hath ceased, my theme Has died into an echo it is fit The spell should break, of this protracted dream. The torch shall be extinguished which hath lit My midnight lamp and what is writ is writ. Would it were worthier but I am not now That which I have been, and my visions flit Less palpably before me and the glow Which in my spirit dwelt is fluttering faint and low. Childe Harold's Pilgrimage. Canto 185. Lord Byron. Transcriber's Notes: Punctuation has been corrected without note. The following misprints have been corrected: "occupired" corrected to "occupied" (page 46) "others" corrected to "other" (page 87) "outselves" corrected to "ourselves" (page 113) "blackssmith" corrected to "blacksmith" (page 146) "placed" corrected to "places" (page 168) "do" corrected to "to" (page 191) Other than the corrections listed above, inconsistencies in spelling and hyphenation have been retained from the original. End of the Project Gutenberg EBook of Personal Recollections of the Civil War, by James Madison Stone *** END OF THIS PROJECT GUTENBERG EBOOK PERSONAL RECOLLECTIONS OF CIVIL WAR *** ***** This file should be named 33179.txt or 33179.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/1/7/33179/ Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission
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