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ly to the spot, seized it by the throat, and drew it forth. He then shewed the poison fangs, and beat them out; afterwards it was taken to the room where his baskets were left, and deposited among the rest. The snake-charmer, observes the same writer, applies his pipe to his mouth, and sends forth a few of his peculiar notes, and all the serpents stop as though enchanted; they then turn towards the musician, and approaching him within two feet raise their heads from the ground, and bending backwards and forwards, keep time with the tune. When he ceases playing, they drop their heads and remain quiet on the ground. The _Penny Magazine_ for April 1833, contains the following very precise and circumstantial narrative, communicated by a gentleman of high station at Madras:--"One morning, as I sat at breakfast, I heard a loud noise and shouting among my palankeen-bearers. On inquiry, I learned that they had seen a large hooded snake, and were trying to kill it. I immediately went out, and saw the snake creeping up a very high green mound, whence it escaped into a hole in an old wall of ancient fortification; the men were armed with their sticks, which they always carry in their hands, and had attempted in vain to kill the reptile, which had eluded their pursuit, and in his hole had coiled himself up secure, whilst we could see his bright eyes shining. I had often desired to ascertain the truth of the report, as to the effect of music upon snakes. I therefore inquired for a snake-catcher. I was told there was no person of the kind in the village; but after a little inquiry, I heard there was one in a village distant about three miles. I accordingly sent for him, keeping a strict watch over the snake, which never attempted to escape, whilst we, his enemies, were in sight. About an hour elapsed, when my messenger returned bringing a snake-catcher. This man wore no covering on his head, nor any on his person, excepting a small piece of cloth round his loins; he had in his hands two baskets, one containing tame snakes, the other empty: these and his musical pipe were the only things he had with him. I made the snake-catcher leave his two baskets on the ground, at some distance, while he ascended the mound with his pipe alone. He began to play: at the sound of the music the snake came gradually and slowly out of his hole. When he was entirely within reach, the snake-catcher seized him dexterously by the tail and held him thus at
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