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of Hue -- Opalescence -- Ray on the "_Cui bono?_" -- Smith on South American Butterflies -- Splendour of Spiders -- in Jamaica -- in Borneo -- Tortoise-beetles -- Beauty of Plants -- Mosses -- Ferns -- Palms -- Grasses -- Bamboo -- in Jamaica -- in Madagascar -- Plantains -- Scene in Tahiti -- Beauty exceeds our Power of Imbibing it -- Flowers -- Orchideae -- Sobralia -- Cypripedium -- Anaectochilus -- Dendrobium -- Huntleya -- Scene in Guiana -- Death of Reiss -- Rhododendrons of Himalayas -- of Borneo -- Lightning-tree of Madagascar -- Flamboyant -- Barbadoes Pride -- Burmese tree -- Le Bois Immortel -- Scene in Tartary -- Microscopic Beauties of London Pride, 302 XI. PARASITES. Fleas on fleas _ad infinitum_ -- Intestinal Worms -- Economy of Creation -- Epiphyte Vegetation -- Life in a Sea-weed -- Orchids in the Tropics -- Parasitic Fig-trees -- Lianes -- in Ceylon -- Parasitism in Insects -- Ichneumons -- Kirby's Discovery of Stylops -- Economy -- Oil-beetle -- Medusa and Shrimp -- Medusa parasitic on Medusa -- Fish in Stomach of Star-fish -- Crab and Sponge -- Hermit Crab and Polype -- Parasites in Corals -- Ostrich parasitic on Ostrich -- Cuckoo and Cowpen birds -- Veneration of Small Birds for Cuckoo -- Slavery among Ants -- Nigger-hunting, 359 APPENDIX. Sea-serpent -- Additional Testimonies to its Existence -- Statement of Consul Grattan -- Communication from Mr Stephen Cave, 387 LIST OF ILLUSTRATIONS. PLATE PAGE I. FASCINATION (_Frontispiece_). II. ENCOUNTER WITH A MOA, 36 III. SPEARING THE ANCIENT ELK, 56 IV. THE CLIMBING PERCH, 122 V. TOAD IN A HOLE, 158 VI. BIRD-EATING SPIDER, 240 VII. SNAKE-CHARMING, 278 VIII. ANTELOPES, 304 IX. PLUME-BIRD, 310 X. PEACOCK-SHOOTING, 326 THE ROMANCE OF NATURAL HISTORY. I. THE EXTINCT. If it is a scene of painful interest, as surely it is to a well-constituted mind, to stand by and watch the death-struggles of one of the nobler brutes,--a dog or an elephant, for example,--to mark the failing strength, the convulsive throes, the appealing looks, the sobs and sighs, the rattling breath, the glazing eye, the stiffening limbs--how much more exciting is the interest with which we watch the p
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