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the wind that exposes a glimpse of our neighbours is greeted by instant hails from the crow's nest. Eight bells again! The watch is changed and, with new faces on the bridge, the length of our long spell is painfully recalled. With something of envy we note the posts relieved and the men gone below to their hours of rest. "What a life!" The wail of the guardship's syren fits in to our mood--_Wh-o-o-owe!_ Quick on the dying note a new syren throws out a powerful reedy blast, sounding from astern. Thus far on the voyage, with fog so long our portion, we have come to know the exact whistle-notes of our neighbours, down to the cough and steam splutter of the older ships. This is new--a stranger--a musical chime that recalls the powerful tug-boats on the Hudson. Our New-Yorker troops are quick to recognize the homely note. "Aw! Saay!" is the chorus. "Lissen! Th' _Robert E. Lee_!" The rear ships of the convoy now give tongue--a medley of confused reverberations. No reply comes to their tumult, but a line of American destroyers emerges from the mist astern and steams swiftly between the centre columns. There is still a long swell on the sea and they lie over to it, showing a broad strake of composition. They are bedizened in gaudy dazzle schemes, and the mist adds to the weird effect. The Stars and Stripes flies at each peak, standing out, board-like, from the speed of their carriers. As they pass, in line ahead, a wild tumult of enthusiasm breaks out among the troops. They join in a full-voiced anthem, carried on from ship to ship, "The Star-spangled Banner!" 'ONE LIGHT ON ALL FACES' A SLIGHT lift in the mist, edging from sou'west in a freshening of the wind, extends our horizon to include all ships of the convoy. With this modest clearing, the shield of vapour that has cloaked us from observation since early morning is withdrawn. Although still hazy, there is sight enough for torpedo range through a periscope, and the long-delayed zigzag is signalled by the commodore. There is no time lost in settling to the crazy courses. At rise of the mist we are steaming through the flat grey sea in parallel columns, our lines ruled for us by the wakes of our leaders. The contrasts of build and tonnage, the variegations of our camouflage, are dulled to a drab uniformity by the lingering mist, and we make a formal set-piece in the seascape, spaced and ordered and defined. The angle of the zigzag disturbs our symmetry. As o
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