a plate of this beautiful Eliza Farren (painted by Lawrence,
engraved by Bartolozzi) in my work on Bartolozzi in this Series (facing
p. 63). Gillray has an amusing print of the diminutive Lord Derby,
standing on his coronet to admire himself in the glass.

[9] They are all enjoying their new diet under similar conditions. In
Italy (perhaps the cleverest hit of all) the old Pope, seated, is having
the bread shot into his open mouth from a French soldier's blunderbuss,
while an assistant at the same moment neatly removes from his head the
triple crown.

[10] Mme. Vigee le Brun, in her delightful memoirs, gives some
justification to Gillray's severe treatment. Visiting Lady Hamilton soon
after Sir William's death she found "this Andromache" draped in black,
and extremely fat.

[11] In "Two-penny Whist" appear the worthy Mrs. Humphrey and her maid
Betty; in "Push-pin" the Duke of Queensbury and the Duchess of Gordon.

[12] _The Magazine of Art_, 1901.

[13] Rudolph Ackermann occupies almost the same position to Rowlandson
that Mistress Humphrey did to Gillray, as his early and faithful friend
and principal publisher.

[14] _Bartolozzi and His Pupils in England_, p. 46.

[15] _Rowlandson, the Caricaturist._ By Joseph Grego. 1880.

Transcriber's Notes:

Passages in italics are indicated by _italics_.

Illustration captions are represented by =caption=.

Additional spacing after some of the quotes is intentional to indicate
both the end of a quotation and the beginning of a new paragraph as
presented in the original text.

Missing quotation marks have been added.
Misprint "and and" corrected to "and" (page 82).
Otherwise, text matches original printing.

End of the Project Gutenberg EBook of The Eighteenth Century in English
Caricature, by Selwyn Brinton

*** END OF THIS PROJECT GUTENBERG EBOOK 18TH CENTURY IN ENGLISH CARICATURE ***

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