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red of it--perhaps it was out of fashion; if so, she would never wear it. She might catch cold. He was not a prompt man, but he went at once to the telephone and gave orders to a shop in Bond Street that would result in a collection of fur-lined cloaks being sent for her choice that evening. This would please her; she would smile and try them on. Besides, it would prevent her catching cold. CHAPTER VI HARRY'S ENTERTAINMENT Van Buren, who was a business man, was an idealist; while Harry de Freyne, the artist--was, emphatically, not. Van Buren had been brought up on Thackeray and Dickens, above all on old pictures from _Punch_; Du Maurier's drawings enjoyed at an early age had made him romantic about everything connected with London. As soon as he was able to leave his bank in New York--in fact, the moment he had retired from business--he had realised his dream and come to live in London. And Harry seemed to him the incarnation of everything delightfully, amusingly English. He had a real hero-worship for Harry, who was so astonishingly clever as well. Van Buren was not a snobbish Anglomaniac, at least his snobbishness was not of the common quality nor about the obvious things; he was a little ashamed of his money, but he did not worship rank and titles; it was Intellect--but Intellect that had the stamp of fashion--that held a glamour for him. So did everything that he supposed to be modern, previous, and up-to-date. No one could ever, whether in New York or in London, have been in life less modern than poor Van Buren, though he was eminently contemporary and perhaps even in advance in matters connected with business. For business he had genius, and yet, curiously, no passion; he was unconsciously brilliant on the subject; it was hereditary. But in his innermost heart he believed that it was vulgar to be an American millionaire! And he had a childish horror of vulgarity, and an innocent belief that an Englishman who had been to Eton and Oxford and who was _dans le mouvement_, smart and good-looking, and had deserted diplomacy for art, must of necessity be refined, superior, cultured, everything that Van Buren wanted to be. Of course he soon found out that Harry was frightfully hard up, and in the most delicate manner imaginable--a delicacy rather wasted on his friend--implored, as a special favour, to be allowed to be his banker. But Harry had refused, having vague ideas of much more important extent
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