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other ships tied to him by robot controls would take its own bite at the right time and place. Providing the plan worked. The Solar System would have a few hot moments, and would be full of junk for a long time, but the threatening fissionables inside Sennech would be hurled far apart, to dribble away their potence gradually. Kliu admitted no one could calculate for sure even how much, if any, of Sennech would remain as a planet, but Teyr, at least, with her thick atmosphere, should withstand the rain of debris. He wondered about his family, and Jezef. Kliu had tried to get word, but the tragically few refugees were scattered. He smiled, recalling how severely he'd had to order his staff to abandon him. He was proud to remember that much of the fleet would have come along, if he'd let them; but live men were going to be at more of a premium on Teyr than heroic atoms drifting in space. Machines could handle this assault. He himself had not had to touch a single control. The indicators began to flash, and, sweating with the effort, he hauled himself erect to attention. It was good to be winding up here in his own command room, where he'd lived his moments of triumph. Still, as the red light winked on, he couldn't help thinking how very quiet and lonely it was without Jezef and the staff. THE END Transcriber's Note: This etext was produced from _Amazing Stories_ June 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Tulan, by Carroll Mather Capps *** END OF THIS PROJECT GUTENBERG EBOOK TULAN *** ***** This file should be named 27968.txt or 27968.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/9/6/27968/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to cop
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