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ier in his mind. He was under obligations to the girl for many an agreeable hour that might otherwise have passed heavily. He had paid the debt, and he had paid it _en prince_, as became a Van Twiller. He spent the rest of the day in looking at some pictures at Goupil's, and at the club, and in making a few purchases for his trip up the Hudson. A consciousness that this trip up the Hudson was a disorderly retreat came over him unpleasantly at intervals. When he returned to his rooms late at night, he found a note lying on the writing-table. He started as his eye caught the words "------ Theatre" stamped in carmine letters on one corner of the envelope. Van Twiller broke the seal with trembling fingers. Now, this note some time afterwards fell into the hands of Livingstone, who showed it to Stuyvesant, who showed it to Delaney, who showed it to me, and I copied it as a literary curiosity. The note ran as follows:-- Mr. Van Twiller, Dear SiR--i am verry greatfull to you for that Bracelett. it come just in the nic of time for me. The Mademoiselle Zabriski dodg is about Plaid out. my beard is getting to much for me. i shall have to grow a mustash and take to some other line of busyness, I dont no what now, but will let you no. You wont feel bad if i sell that Bracelett. i have seen Abrahams Moss and he says he will do the square thing. Pleas accep my thanks for youre Beautifull and Unexpected present. Youre respectfull servent, Charles Montmorenci Walters. The next day Van Twiller neither expressed nor felt any unwillingness to spend a few weeks with his mother at the old homestead. And then he went abroad. End of the Project Gutenberg EBook of Mademoiselle Olympe Zabriski, by Thomas Bailey Aldrich *** END OF THIS PROJECT GUTENBERG EBOOK MADEMOISELLE OLYMPE ZABRISKI *** ***** This file should be named 23362.txt or 23362.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/3/6/23362/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in th
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