FREE BOOKS

Author's List




PREV.   NEXT  
|<   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122  
123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   >>   >|  
d nearly died." "Make-believe," he repeated. "My friend Brennan--whom Gibson spoke to you of--says that life is all make-believe; that we all play at make-believe--some of us rightfully, but most of us wrongfully." Subconsciously he thought of Brennan's indictment of Gibson as a fraud and a dishonest "make-believe," a consummate actor in the role of a villain in real life. "I'm often inclined to believe it," she said slowly. "Perhaps that's why life is sometimes a huge joke and sometimes nothing but sadness and disillusionment. We play our little game of make-believe and strut around proudly, making ourselves, as well as others, think that we amount to something and then comes death, like a curtain; the footlights go out and where are we? Who thinks of us then?" "Only the few who have loved us with all our faults and vain deceit and make-believe," he replied. A series of "close-ups," were photographed after lunch. Consuello went into the actor's embrace again to permit a "close-up" of his fervent expression of love and thankfulness as he looked upward to the sky. John didn't mind the repetition of this scene. He thought of the actor's wife and two babies, especially the one who was his father's "tear provoker." There was another in which Consuello, her head inclined, admired the fresh crisp beauty of a bouquet of daisies. She lifted her face to gaze with a faraway look past the cameras, apparently registering longing for her absent sweetheart. John followed her gaze and discovered it was fixed on the woebegone countenance of the bass viol player, whose melancholy seemed to be increased by his dim realization that he was the object on which she concentrated in her abstract mood. In a third "close-up" the actor registered the deepness of his love by thrusting his chin forward and staring unblinkingly over John's head. It was an effective piece of facial expression, John thought, as the actor's eyes were as soft as a fawn's. Photographs of Richard Barthelmess and John Barrymore in similar poses came back into John's mind. John and Consuello were beside each other again on the return trip to the studio. "I expect Reggie will be there waiting for us," she said. "We have a dinner engagement and I will have to dress at the studio. I'm sorry that he and you and I cannot have dinner together, we have so much to talk about." "You have been kind enough," he said. "I have enjoyed myself thoroughly and I would b
PREV.   NEXT  
|<   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122  
123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   >>   >|  



Top keywords:

thought

 
Consuello
 

studio

 

inclined

 

Brennan

 

Gibson

 

dinner

 

expression

 

player

 

increased


concentrated

 

abstract

 

object

 

realization

 

melancholy

 

absent

 

faraway

 

cameras

 

lifted

 

bouquet


daisies

 

apparently

 

registering

 

woebegone

 

countenance

 

discovered

 

longing

 

sweetheart

 

Photographs

 

engagement


waiting

 

return

 
expect
 
Reggie
 

enjoyed

 

unblinkingly

 

effective

 

staring

 

forward

 

registered


deepness

 

thrusting

 

facial

 

similar

 

Barrymore

 

Barthelmess

 

Richard

 

beauty

 

looked

 
disillusionment