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s, queens or princesses (on the left) and guests (on the right); from the portals in the wings, natives of the country (on the left) and strangers (on the right). The conventional entrances from the wings arose from the fact that the spectators in the Dionysiac theatre, on the Acropolis, saw beyond the stage on the one side the white houses of Athens and on the other the plains of Attica: and so to them the actors coming from the Athenian side were their own people, while those entering from the side toward Attica were strangers. In the modern French theatre the "court" and "garden" entrances still preserve this ancient tradition. * * * * * TRANSCRIBER'S NOTE Obvious printing errors were repaired; these changes are listed below. Other variation in hyphenation is as in the original text. Felibrien changed to Felibrien "it was the drink of the young Felibrien poets" builded changed to built "long before Lyons was built or Paris even thought of" End of the Project Gutenberg EBook of The Christmas Kalends of Provence, by Thomas A. Janvier *** END OF THIS PROJECT GUTENBERG EBOOK THE CHRISTMAS KALENDS OF PROVENCE *** ***** This file should be named 19587.txt or 19587.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/5/8/19587/ Produced by Amy Cunningham, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and
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