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ch-mispronounced word would be eliminated) if the single word _quality_ were to be adopted as the equivalent of _timbre_. Thus, _e.g._, the soprano voice singing c' has a _quality_ different from the contralto voice singing the same tone. (The remainder of this chapter and all of Chapter XVIII deal with terms commonly encountered in the study of _harmony_. Courses in this subject usually begin with a study of scales, but since this subject has already been somewhat extensively treated, this chapter will omit it, and will begin with the next topic in harmony study, viz.--the interval.) 183. An _interval_ is the relation of two tones with regard to pitch. If the two tones are sounded simultaneously the result is an _harmonic interval_, but if sounded consecutively the result is a _melodic interval_. Fig. 62 represents the pitches f' and a' as a harmonic interval, while Fig. 63 represents the same pitches arranged as a melodic interval. [Illustration: Fig. 62.] [Illustration: Fig. 63.] 184. In classifying intervals two facts should be constantly kept in mind: (1) The _number name_ of the interval (third, fifth, sixth, etc.), is derived from the order of letters as found in the diatonic scale. Thus the interval C--E is a _third_ because E is the third tone from C (counting C as one) in the diatonic scale. C--G is a _fifth_ because G is the fifth tone above C in the diatonic scale. It should be noted however that the same _number-names_ apply even though one or both letters of the interval are qualified by sharps, flats, etc. Thus _e.g._, C--G[sharp] is still a _fifth_, as are also C[sharp]--G[flat] and C[flat]--G[sharp]. (2) In determining the _specific_ name of any interval (_perfect_ fifth, _major_ third, etc.), the half-step and whole-step (often referred to respectively as _minor second_, and _major second_) are used as units of measurement. The _half-step_ is usually defined as "the smallest usable interval between two tones." Thus, C--C[sharp] is a _half-step_, as are also B--C, F--G[flat], etc. A _whole-step_ consists of two half-steps. C--D is a _whole-step_, as are also B[flat]--C, E--F[sharp], F[sharp]--G[sharp], G[flat]--A[flat], etc. The expressions _half-step_ and _whole-step_ are much to be preferred to _half-tone_ and _whole-
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