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youthfulness was (as it often, if not always, is in the chosen of the earth) one of his most amiable features, seems to have conceived a new _engouement_ for this new and quaintly flavoured Russian literature. Had he lived longer, he probably would have sung us something in a cautionary strain; just as it can never be sufficiently regretted that he did not live long enough to handle Ibsenism. And it would have been very particularly pleasant to hear him on those _Memoirs of a Mongol Minx_ (as they have been profanely called), which are assigned to the great Marie Bashkirtseff; or on those others of the learned She-Mathematician, who waited with a friend on a gentleman and suggested that he should marry _one_ of them, no matter which, and lead both about. But the mixture of freshness, of passion, and of regard for conduct in Count Tolstoi could not but appeal to him; and he has given us a very charming _causerie_ on _Anna Karenina_, notable--like O'Rourke's noble feast--to "Those who were there And those who were not,"-- to those who have read the book itself, and to those who have not yet found time to read it. I cannot plead much greater affection for the lucubrations of Amiel than for Count Tolstoi's dealings with that odd compound of crudity and rottenness, the Russian nature; but Mr Arnold's "Amiel" is admirable. Never was there a more "gentlemanly correction," a more delicate and good-humoured setting to rights, than that which he administers to Amiel's two great panegyrists (who happened to be Mr Arnold's own niece and Mr Arnold's own friend). On subjects like Maya and the "great wheel" it would almost be impossible to conceive, and certainly impossible to find, a happier commentator than Mr Arnold, though perhaps in the regions of theology he had a private Maya, a very Great Wheel, of his own. The firmness with which he rebukes the maunderings of the Genevese hypochondriac--of whom some one once unkindly remarked that he was not so much intoxicated with Idealism as suffering from the subsequent headache--is equalled by the kindness of the dealing; and the quiet decision with which he puts his fine writing in its proper place is better still. Nobody could call Mr Arnold a Philistine or one insensible to _finesse_, grace, _sehnsucht_, the impalpable and intangible charm of melancholy and of thought. And his comments on Amiel's loaded pathos and his muddled meditation are therefore invaluable. Nor is he
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