FREE BOOKS

Author's List




PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  
this vast body of unspoken criticism. Agg criticized more than George, who had begun to take the attitude that Agg ought to be philosophically accepted as incomprehensible rather than criticized. He had not hitherto seen her in male costume, but he would not exhibit any surprise. "Where's Marguerite?" he inquired, advancing to the Stove and rubbing his hands above it. "Restrain your ardour," said Agg lightly. "She'll appear in due season. I've told you--you're before your time." George offered no retort. Despite his sharp walk, he was still terribly agitated and preoccupied, and the phenomena of the lamplit studio had not yet fully impressed his mind. He saw them, including Agg, as hallucinations gradually turning to realities. He could not be worried with Agg. His sole desire was to be alone with Marguerite immediately, and he regarded the fancy costume chiefly as an obstacle to the fulfilment of that desire, because Agg could not depart until she had changed it for something else. Then his gaze fell upon a life-size oil-sketch of Agg in the eighteenth-century male dress. The light was bad, but it disclosed the sketch sufficiently to enable some judgment on it to be formed. The sketch was exceedingly clever, painted in the broad, synthetic manner which Steer and Sickert had introduced into England as a natural reaction from the finicking, false exactitudes of the previous age. It showed Agg, glass in hand, as a leering, tottering young drunkard in frills and velvet. The face was odious, but it did strongly resemble Agg's face. The hair was replaced by a bag wig. "Who did that?" "I did, of course," said Agg. She pointed to the large mirror at the opposite side of the studio. "The dickens you did!" George murmured, struck. But now that he knew the sketch to be the work of a woman he at once became more critical, perceiving in it imitative instead of original qualities. "What is it? I mean, what's the idea at the back of it, if it isn't a rude question, Agg?" "Title: 'Bonnie Prince Charlie,'" said Agg, without a smile. She was walking about, in a convincingly masculine style. Unfortunately she could not put her hands in her pockets, as the costume was without pockets. "Is that your notion of the gent?" "Didn't you know I'm supposed to be very like him?" cried Agg, vain. The stern creature had frailties. Then she smiled grimly. "Look at my cold blue eyes, my sharp chin, my curly-curly lips, my broa
PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  



Top keywords:

sketch

 
costume
 

George

 

criticized

 

Marguerite

 

desire

 
studio
 
pockets
 

mirror

 
dickens

murmured

 

opposite

 

struck

 

pointed

 

velvet

 

previous

 

exactitudes

 

showed

 
finicking
 

England


natural

 

reaction

 

strongly

 

odious

 
resemble
 

replaced

 
frills
 

leering

 

tottering

 
drunkard

supposed

 

Unfortunately

 

notion

 

creature

 

frailties

 

smiled

 
grimly
 

masculine

 

qualities

 

original


critical

 

perceiving

 

imitative

 

Charlie

 
walking
 
convincingly
 

Prince

 

Bonnie

 
introduced
 

question