June 19, 1712. Addison.

'Musaeo contingere cuncta lepore.'

Lucr.

Gratian very often recommends the Fine Taste, [1] as the utmost
Perfection of an accomplished Man. As this Word arises very often in
Conversation, I shall endeavour to give some Account of it, and to lay
down Rules how we may know whether we are possessed of it, and how we
may acquire that fine Taste of Writing, which is so much talked of among
the Polite World.

Most Languages make use of this Metaphor, to express that Faculty of the
Mind, which distinguishes all the most concealed Faults and nicest
Perfections in Writing. We may be sure this Metaphor would not have been
so general in all Tongues, had there not been a very great Conformity
between that Mental Taste, which is the Subject of this Paper, and that
Sensitive Taste which gives us a Relish of every different Flavour that
affects the Palate. Accordingly we find, there are as many Degrees of
Refinement in the intellectual Faculty, as in the Sense, which is marked
out by this common Denomination.

I knew a Person who possessed the one in so great a Perfection, that
after having tasted ten different Kinds of Tea, he would distinguish,
without seeing the Colour of it, the particular Sort which was offered
him; and not only so, but any two Sorts of them that were mixt together
in an equal Proportion; nay he has carried the Experiment so far, as
upon tasting the Composition of three different Sorts, to name the
Parcels from whence the three several Ingredients were taken. A Man of a
fine Taste in Writing will discern, after the same manner, not only the
general Beauties and Imperfections of an Author, but discover the
several Ways of thinking and expressing himself, which diversify him
from all other Authors, with the several Foreign Infusions of Thought
and Language, and the particular Authors from whom they were borrowed.

After having thus far explained what is generally meant by a fine Taste
in Writing, and shewn the Propriety of the Metaphor which is used on
this Occasion, I think I may define it to be that Faculty of the Soul,
which discerns the Beauties of an Author with Pleasure, and the
Imperfections with Dislike. If a Man would know whether he is possessed
of this Faculty, I would have him read over the celebrated Works of
Antiquity, which have stood the Test of so many different Ages and
Countries, or those Works among the Moderns which have the Sanction