ir Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please them--sometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints--
A laugh, a cry, the business of the world--
<(Flower o' the peach,
Death for us all, and his own life for each!)>
And my whole soul revolves, the cup runs over, 250
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no--
May they or may n't they? all I want's the thing
Settled forever one way. As it is, 260
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my lesson learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards,

You understand me: I'm a beast, I know. 270
But see, now--why, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidi--he'll not mind the monks--
They call him Hulking Tom, he lets them talk--
He picks my practice up--he'll paint apace,
I hope so--though I never live so long,
I know what's sure to follow. You be judge! 280
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
--The beauty and the wonder and the power,
The shapes of things, their colors, lights and shades,
Changes, surprises,--and God made it all!
--For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about? 290
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!--you say.
But why not do as well as say--paint these
Just as they are, careless what comes of it?
God's works--paint any one, and count it cr