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worst social examples, easily led into wrong, not always aware where the wrong was, letting affections good or bad whisper away her conscience or blind her reason. Such women are often far more dangerous when induced to wrong than those who are thoroughly abandoned,--such women are the accomplices men like the Count of Peschiera most desire to obtain. "Ah, Giulio," said Beatrice, after a pause, and looking up at him through her tears, "when you speak to me thus, you know you can do with me what you will. Fatherless and motherless, whom had my childhood to love and obey but you?" "Dear Beatrice," murmured the count, tenderly, and he again kissed her forehead. "So," he continued, more carelessly,--"so the reconciliation is effected, and our interests and our hearts re-allied. Now, alas! to descend to business. You say that you know some one whom you believe to be acquainted with the lurking-place of my father-in-law--that is to be!" "I think so. You remind me that I have an appointment with him this day: it is near the hour,--I must leave you." "To learn the secret?--Quick, quick. I have no fear of your success, if it is by his heart that you lead him!" "You mistake; on his heart I have no hold. But he has a friend who loves me, and honourably, and whose cause he pleads. I think here that I have some means to control or persuade him. If not--ah, he is of a character that perplexes me in all but his worldly ambition; and how can we foreigners influence him through THAT?" "Is he poor, or is he extravagant?" "Not extravagant, and not positively poor, but dependent." "Then we have him," said the count, composedly. "If his assistance be worth buying, we can bid high for it. Sur mon ame, I never yet knew money fail with any man who was both worldly and dependent. I put him and myself in your hands." Thus saying, the count opened the door, and conducted his sister with formal politeness to her carriage. He then returned, reseated himself, and mused in silence. As he did so, the muscles of his countenance relaxed. The levity of the Frenchman fled from his visage, and in his eye, as it gazed abstractedly into space, there was that steady depth so remarkable in the old portraits of Florentine diplomatist or Venetian Oligarch. Thus seen, there was in that face, despite all its beauty, something that would have awed back even the fond gaze of love,--something hard, collected, inscrutable, remorseless. But this c
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